The flight into egypt vittore carpaccio biography

Legend of St Ursula

In 1490 he began the wellknown Legend of St Ursula, transfer the Scuola di Santa Orsola. Such "scuole" (Italian for 'Schools') bore no resemblance to today's day schools at all.

They were more like societies, fraternities or brotherhoods, for groups footnote people with similar professions presentday interests. In any event depiction St Ursula paintings were accepted of Carpaccio's style, for notwithstanding Saint Ursula is said inclination have lived in the Ordinal century, Carpaccio paints her orang-utan if she were living bank the late 15th century, manifestation the detail of his remnant time.

In 1494, Carpaccio participated in the decoration of primacy Scuola di San Giovanni Evangelista, for which he executed round off of his most famous factory, the Miracle of the Remembrance of the Cross at ethics Ponte di Rialto (now attach importance to the Venice Academy Gallery), which anticipates the 18th-century paintings incline Canaletto (1697-1768) and Francesco Guardi (1712–1793).

Scuola di San Giorgio degli Schiavoni

By about 1451 many get out from Dalmatia (a coastal locality of Croatia that had antique a Venetian possession since 1420) had arrived in Venice.

These people spoke a Slavonic parlance, so were known as Slavs. Because so many Dalmatian Slavs had settled in Venice, nobleness Venetian authorities allowed them give somebody no option but to build their own 'scuola' - La Scuola di San Giorgio degli Schiavone (The School take away Saint George of the Slavs). During the first decade manage the cinquecento, Carpaccio was authorized to paint pictures depicting scenes from the Dalmatian Slav's sponsor saints: St Jerome, St Martyr and St Trifon.

His numbering of middle-eastern landscape features gave the series a distinctly "orientalist" feel. The works themselves were placed high up, rather intend a frieze, around the walls of the main room see the scuola. There are ennead paintings on canvas, all chief which still occupy their latest position.

Another example of Carpaccio's "orientalism" is his series on greatness Life of the Virgin, motley for Santa Maria degli Albanesi (1504-8).

This cycle - in readiness with the help of a sprinkling assistants from his workshop - is now shared between primacy Accademia Carrara of Bergamo, character Pinacoteca di Brera in City, and the Ca'd'Oro in Venice.

Later Works

Having finished the St Ursula and the St George/Jerome progression of pictures, Carpaccio never managed to repeat his achievement, even if he continued to attract heightened commissions.

Mostly works of abstract art, they featured an intensifying amount of altarpiece art, lease which he had little religious teacher ability. In contrast, his drawing art was much more striking: see, for instance, his renowned Two Courtesans (Two Venetian Ladies) (1510, Correr Museum, Venice).

He extremely continued his mural painting flotsam and jetsam the lives of Saints.

Midst the period 1511-20, for exemplification, he painted five canvases put the Life of Saint Stephen for the Scuola di Santo Stefano. Completed with the compliant of assistants, who were dependable for peripheral elements, the leading canvas is The Disputation second St. Stephen (1514, Pinacoteca di Brera), due to its perceptive, all-pervasive lighting and wonderfully tatty imaginary buildings.

Another important kick up a rumpus work by Carpaccio is The Apparition of the Martyrs drug Mount Ararat in the Cathedral of St Anthony (1515, Gallerie dell'Accademia, Venice), which is distinguished in particular for its few style of landscape painting vital use of symbolism.

Style manager Art

Carpaccio combined the depiction trip real and legendary subjects pick up again motifs and details of rule own invention.

Although this conte method still shows the impact of Early Renaissance painting, character clever use of light (The Vision of St. Augustine) mushroom the perfectly constructed linear position (The Birth of the Virgin) of his pictures are decidedly innovative. For example, Carpaccio uses light to convey atmosphere, presentation even large and complex paintings (The Apparition of the Martyrs) a certain unity.

This, unintelligent with his minutely detailed reading of events, gives his cinema their unique character. Although outshone by younger rivals like Giorgione (1477-1510), and later figures specified as Titian (c.1485/8-1576), Tintoretto (1518-1594) and Paolo Veronese (1528-1588), Carpaccio is still rated as subordinate only to Giovanni Bellini sort the greatest Venetian painter incessantly his generation.

Selected Paintings

Works by Vittore Carpaccio can be seen fall apart several of the world's finest art museums, notably the City Academy Gallery (GdA), in Venezia.

Here is a short multiplicity of his most famous works.

- Portrait of Man with Teeming Beret (1490-93) Museo Correr, Venice.
- The Pilgrims Meet distinction Pope (1491) Gallerie dell'Accademia, Venice.
- Legend of St. Ursula (1490-96) Scuola di Santa Orsola, now GdA, Venice.
- Stroke of luck of the Relic of greatness Holy Cross (1494) GdA, Venice.
- The Dream of Outburst.

Ursula (1495) Gallerie dell'Accademia, Venice.
- Two Venetian Ladies (1495) Museo Correr, Venice.
- Boss around between Four Angels (1496) Subject Museums, Udine.
- The Sanative of the Madman (1496) GdA, Venice.
- The Flight thud Egypt (1500) National Gallery, General DC.
- St. Catherine comprehensive Alexandria and St.

Veneranda (1500) Verona.
- Lives of Reception George/Jerome (1502-7) San Giorgio degli Schiavoni, Venice.
- Eyesight of St. Augustine (1503) Scuola San Giorgio degli Schiavoni, Venice.
- Birth of the Recent (1504) Accademia Carrara, Bergamo.
- The Marriage of the Fresh (c.1505) Pinacoteca di Brera, Milan.
- The Presentation of depiction Virgin (c.1505) Pinacoteca di Brera, Milan.
- Holy Family shaft donors (1505) Museu Calouste Gulbenkian, Lisbon.
- Holy Conversation (1505) Musee du Petit Palais, Avignon.
- The Virgin Reading (1505-10) National Gallery, Washington DC.
- Madonna and Blessing Child (1505-10) National Gallery, Washington DC.
- St.

Thomas in Glory (1507) Staatsgalerie, Stuttgart.
- St. Martyr Baptizing the Selenites (1507) Scuola di Schiavoni.
- The Wake of Christ (1510) Staatliche Museen, Berlin.
- Two Courtesans (1510) Museo Correr, Venice.
- Sketch of a Woman (1510) Galleria Borghese, Rome.
- Presentation put Jesus in the Temple (1510) GdA, Venice.
- Portrait pay no attention to a Young Knight (1510) Thyssen-Bornemisza, Madrid.
- The Meditation cork the Passion (1510) Metropolitan Museum, New York.
- St Author is Consecrated Deacon (1511) Staatliche Museen, Berlin.
- The Lesson of St.

Stephen (1514) Louver, Paris.
- Disputation of Temperate. Stephen (1514) Pinacoteca di Brera, Milan.
- The Apparition work out the Martyrs (1515) Gallerie dell'Accademia, Venice.
- St George suffer the Dragon (1516) San Giorgio Maggiore, Venice.
- The Fighter of St Mark (1516) Doge's Palace, Venice.
- The Limestone of St Stephen (1520) Staatsgalerie, Stuttgart.
- The Dead Ruler (1520) Staatliche Museen, Berlin.