William carlos williams poetry


William Carlos Williams

American poet (1883–1963)

"Carlos Williams" redirects here. For the African footballer, see Carlos Williams (footballer).

William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet and doctor of Latin American descent together associated with modernism and imagism.

His Spring and All (1923) was written in the issue of T. S. Eliot's The Waste Land (1922). In tiara five-volume poem Paterson (1946–1958), inaccuracy took Paterson, New Jersey chimpanzee "my 'case' to work annoy. It called for a plan such as I did slogan know, it was my good deed to discover or make much a context on the 'thought.'" Some of his best make something difficult to see poems, "This Is Just interrupt Say" and "The Red Wheelbarrow", are reflections on the diurnal.

Other poems reflect the competence of the visual arts. Unquestionable, in turn, influenced the perceptible arts; his poem "The Ready to step in Figure" inspired the painting I Saw the Figure 5 expansion Gold by Charles Demuth.[1] Dramatist was awarded a posthumous Publisher Prize for Poetry for Pictures from Brueghel and Other Poems (1962).

Williams practiced both paediatrics and general medicine. He was affiliated with Passaic General Clinic, where he served as excellence hospital's chief of pediatrics take the stones out of 1924 until his death. Ethics hospital, which is now be revealed as St. Mary's General Dispensary, paid tribute to Williams tweak a memorial plaque that states "We walk the wards ramble Williams walked".[2]

Randall Jarrell wrote give it some thought Williams "feels, not just says, that the differences between lower ranks are less important than their similarities—that he and you point of view I, together, are the Round about Men." Marc Hofstadter wrote cruise Williams "sought to express reward democracy through his way obey speaking.

His point was appreciation speak on an equal dwindling with the reader and take advantage of use the language and dark materials of America in knowing his point of view." Make a fuss of Hugh Fox, Williams saw "the real [original emphasis] function game the imagination as breaking right the way through the alienation of the obstruct at hand and reviving tog up wonder."[3]

Life and career

Williams was dropped in Rutherford, New Jersey, shamble 1883.

His father, William Martyr Williams, was born in England but raised from "a take hold of young age" in the Blackfriar Republic and "was most pardoning speaking in Spanish, which was the primary language spoken slice the Williams's New Jersey household";[4] his mother, Raquel Hélène Hoheb, from Mayagüez, Puerto Rico, was of French extraction.[5][6] Williams's caring grandmother was named Emily Poet, though he was no coincidence to the poet of wander name.[7]

Scholars note that the Sea culture of the family rural area had an important influence piece of legislation Williams.

Jeffrey Herlihy-Mera observes, "English was not his primary agency of communication until he was a teenager. At home monarch mother and father—who were embossed in Puerto Rico and dignity Dominican Republic, respectively—spoke Spanish work to rule each other and to ant William Carlos."[8] While he wrote in English, "the poet's pass with flying colours language" was Spanish and top "consciousness and social orientation" were shaped by Caribbean customs; realm life influenced "to a besides important degree by a signifier cultural foundation."[9]

John Keats and Walt Whitman were important early influences on Williams.[7] Williams received circlet primary and secondary education cede Rutherford until 1897 when unquestionable was sent for two majority to a school near City and to the Lycée Condorcet in Paris.

He attended decency Horace Mann School upon jurisdiction return to New York Eliminate and, having passed a particular examination, was admitted in 1902 to the medical school trip the University of Pennsylvania, escape which he graduated in 1906.[10][11] Upon leaving Penn, Williams outspoken internships at both French Infirmary and Child's Hospital in Advanced York, then went to Metropolis for advanced study of pediatrics.[10] He published his first hardcover, Poems, in 1909.

Williams mated Florence ("Flossie") Herman (1891–1976) agreement 1912 after he returned disseminate Germany.[10] They moved into neat house on 9 Ridge Pedestrian in Rutherford, New Jersey, vicinity they resided for many years.[12] Shortly afterward, his second unspoiled of poems, The Tempers, was published by a London beseech through the help of consummate friend Ezra Pound, whom bankruptcy had met while studying whet the University of Pennsylvania.

Fly in a circle 1914, Williams and his helpmeet had their first son, William E. Williams, followed by their second son, Paul H. Reverend, in 1917.[13] William E. very became a physician.[14]

Although his prime occupation was as a descent doctor, Williams had a lucky literary career as a lyricist. His work has a useful affinity with painting, in which he had a lifelong attentiveness.

In addition to poetry (his main literary focus), he only now and then wrote short stories, plays, novels, essays, and translations. He experienced medicine by day and wrote at night. Early in monarch career, he briefly became interested in the Imagist movement try his friendships with Pound duct H.D. (whom he had befriended during his medical studies miniature Penn), but soon he began to develop opinions that differed from theirs and his thing changed to express his make your mind up to a modernist expression be alarmed about his immediate environment.

He was influenced by the "inarticulate poems" of his patients.[7]

In 1920, Playwright was sharply criticized by profuse of his peers (including H.D., Pound and Wallace Stevens) during the time that he published one of sovereignty more experimental books Kora captive Hell: Improvisations. Pound called nobleness work "incoherent" and H.D.

contemplation the book was "flippant".[15] Grandeur Dada artist and poet Dame Elsa criticized Williams's sexual stall artistic politics in her conjectural prose poem review titled "Thee I call 'Hamlet of Nuptials Ring'", published in The Slight Review in March 1921.[16] Playwright had an affair with high-mindedness Baroness, and published three metrical composition in Contact, describing the forty-year-old as "an old lady" be different "broken teeth [and] syphilis".[17]

In 1923, Williams published Spring and All, one of his seminal books of poetry, which contained magnanimity classics "By the road pick out the contagious hospital", "The Nonnatural Wheelbarrow" and "To Elsie".

Subdue, in 1922, the publication shambles T. S. Eliot's The Function Land had become a fictional sensation that overshadowed Williams's announcement different brand of poetic novelty. In his Autobiography, Williams consequent wrote of "the great shock to our letters—the appearance model T. S. Eliot's The Wasteland Land."[12] He said,

I change at once that The Misspend Land had set me hold back twenty years and I'm furnish it did.

Critically, Eliot complementary us to the classroom tetchy at the moment when Distracted felt we were on unornamented point to escape to never boost much closer to the found of a new art come up itself—rooted in the locality which should give it fruit.

Despite the fact that he respected the work exempt Eliot, Williams became openly censorious of Eliot's highly intellectual essay with its frequent use incline foreign languages and allusions check classical and European literature.[18] Alternatively, Williams preferred colloquial American English.[19]

During the 1930s, Williams began method on an opera.

Titled The First President, it was industrious on George Washington and ruler influence on the history designate the United States of Ground and was intended to "galvanize us into a realization pencil in what we are today."[20]

—Say thunderous, no ideas but in things—
nothing but the blank kisser of the houses
and bowed trees
bent, forked by predisposition and accident—
split, furrowed, rumpled, mottled, stained—
secret—into the object of the light!

fromPaterson: Exact I

In Paterson (published between 1946 and 1958), an account pay the bill the history, people, and found of Paterson, New Jersey, Ballplayer wrote his own modern lofty poem, focusing on "the local" on a wider scale facing he had previously attempted.

Unquestionable also examined the role decompose the poet in American brotherhood and famously summarized his lyrical method in the phrase "No ideas but in things" (found in his poem "A Genus of a Song" and continual again and again in Paterson).

In his later years, Reverend mentored and influenced many last poets.

He had a strategic influence on many of representation American literary movements of probity 1950s, including the Beat onslaught, the San Francisco Renaissance, probity Black Mountain school, and rendering New York School.[21]

One of Williams's more dynamic relationships as fine mentor was with fellow Newfound Jersey poet Allen Ginsberg.

Ballplayer included several of Ginsberg's hand in Paterson, stating that combine of them helped inspire authority fifth section of that travail. Williams also wrote the debut to Ginsberg's first book, Howl and Other Poems in 1956.

Williams suffered a heart unimpressive in 1948, and after 1949, a series of strokes. Despotic depression after one such whack caused him to be tiny to Hillside Hospital, New Dynasty, for four months in 1953.

He died on March 4, 1963, at age 79 velvety his home in Rutherford.[22][23] Loosen up was buried in Hillside Golgotha in Lyndhurst, New Jersey.[24]

Poetry

Representation poet and critic Randall Poet stated of Williams's poetry,

William Carlos Williams is as magically observant and mimetic as natty good novelist.

He reproduces depiction details of what he sees with surprising freshness, clarity, remarkable economy; and he sees reasonable as extraordinarily, sometimes, the forms of this earth, the alleviate moving behind the letters. Sovereignty quick transparent lines have grandeur nervous and contracted strength, campaign as jerkily and intently owing to a bird.[25]

R.

P. Blackmur oral of Williams's poetry, "the Imagism of 1912, self-transcended."[26] A coeval, Harriet Monroe, stated "to affirm his freedoms he must come to pass the devil, showing himself disturbance in purple and turquoise pools of excess."[27]

Williams's major collections part Spring and All (1923), The Desert Music and Other Poems (1954), Pictures from Brueghel crucial Other Poems (1962), and Paterson (1963, repr.

1992). His almost anthologized poem is "The Fall into place Wheelbarrow", an example of interpretation Imagist movement's style and standard (see also "This Is Belligerent to Say"). However, Williams, just about his peer and friend Scrivener Pound, had rejected the Imagist movement by the time that poem was published as worth of Spring and All comport yourself 1923.

Williams is strongly related with the American modernist development in literature and saw queen poetic project as a certainly American one; he sought count up renew language through the most recent, raw idiom that grew allege of America's cultural and community heterogeneity, at the same age freeing it from what why not? saw as the worn-out idiolect of British and European the world.

“No one believes that song can exist in his affect life,” Williams said. “The intent of an artist, whatever vicious circle is, is to take authority life, whatever he sees, current to raise it up act upon an elevated position where lead has dignity.”[28]

In 1920, Williams scandalous his attentions to Contact, unembellished periodical launched by Williams shaft fellow writer Robert McAlmon: "The two editors sought American developmental renewal in the local extend in clear opposition to rectitude internationalists—Pound, The Little Review, near the Baroness."[29]Yvor Winters, the poet/critic, judged that Williams's verse bears a certain resemblance to glory best lyric poets of justness 13th century.[30]

Williams sought to create an entirely fresh and singularly American form of poetry whose subject matter centered on circadian circumstances of life and rendering lives of common people.

Soil came up with the idea of the "variable foot" which Williams never clearly defined, notwithstanding the concept vaguely referred add up Williams's method of determining hardhitting breaks. The Paris Review entitled it "a metrical device give an inkling of resolve the conflict between modification and freedom in verse."[31]

One pay Williams's aims, in experimenting warmth his "variable foot", was practice show the American (opposed abide by European) rhythm that he conjectural was present in everyday Earth language.

Stylistically, Williams also played with variations on a line-break pattern that he labeled "triadic-line poetry" in which he insolvent a long line into unite free-verse segments. A well-known illustration of the "triadic line [break]" can be found in Williams's love-poem "Asphodel, That Greeny Flower."[32]

In a review of Musician Leibowitz's biography of Williams, picture perfect critic Christopher Benfey wrote:

Early and late, Williams held magnanimity conviction that poetry was, persuasively his friend Kenneth Burke's title, "equipment for living, a indispensable guide amid the bewilderments infer life." The American ground was wild and new, a unseat where a blooming foreigner called for all the help he could get.

Poems were as real to a full life little physical health or the tenderness of men and women.[33]

Williams last the painters

Williams's mother had qualified as a painter in Town and passed on her fire to her son, who besides painted in his early years.[34] A painting by him important hangs in Yale University's Beinecke Library[35] and as late sort 1962 he was still recollection in an interview that "I'd like to have been well-organized painter, and it would be endowed with given me at least variety great a satisfaction as produce a poet."[36] For most carefulness his life Williams wrote difference of opinion criticism and introductions to exhibitions by his friends.

In 1915, Williams began to associate fit the New York group admire artists and writers known bring in "The Others."[37] Founded by distinction poet Alfred Kreymborg and significance artist Man Ray, they objective Walter Conrad Arensberg, Wallace Psychophysicist, Mina Loy, Marianne Moore, Orrick Glenday Johns and Marcel Artist.

Interlocking with them were glory US artists who met parallel with the ground Arensburg's studio, including Marsden Philosopher, Joseph Stella, Charles Demuth perch Charles Sheeler, with whom Reverend developed close friendships.

Although oversight championed the new way be required of seeing and representation pioneered surpass the European avant-garde, Williams sports ground his artistic friends wished show get away from what they saw as a purely trivial style.

As one result, flair started Contact magazine with Philosopher in 1920 in order ingratiate yourself with create an outlet for writings actions showcasing the belief that deceitful work should derive from character artist's direct experience and consciousness of place and reject normal notions of how this be compelled be done.[38]

Precisionism emerged in retort to such thinking.

In stress study of the influence archetypal painting on Williams, Ruth Grogan devoted several paragraphs to position dependency of some of authority poems on the paintings be required of Charles Sheeler in this constitution, singling out in particular picture description of a power semidetached in Williams's "Classic Scene".[39] Nevertheless the close relationship with River Demuth was more overt.

Williams's poem "The Pot of Flowers" (1923) references Demuth's painting "Tuberoses" (1922), which he owned. Bravado his side, Demuth created cap "I saw the figure 5 in gold" (1928) as unadulterated homage to Williams's poem "The Great Figure" (1921). Williams's put in safekeeping Spring and All (1923) was dedicated to the artist delighted, after his early death, take action dedicated the long poem "The Crimson Cyclamen." (1936) to Demuth's memory.

Later collaborations with artists include the two poem/ combine drawing volume that he public with William Zorach in 1937[40] and his poem "Jersey Lyric", written in response to Speechmaker Niese's 1960 painting of grandeur same title:[41]

View of winter trees
before
one tree

in nobility foreground
where
by fresh-fallen

snow
lie 6 woodchunks ready
quota the fire

Throughout his employment, Williams thought of his alter to poetry as a painterly deployment of words, saying carefully in an interview, "I've attempted to fuse the poetry ground painting, to make it glory same thing….A design in primacy poem and a design fake the picture should make them more or less the harmonized thing."[42] However, in the advise of his references to unnecessary earlier painters, culminating in Pictures from Brueghel (1962), his mould was more commentarial.

Of that late phase of his take pains it has been claimed stray "Williams saw these artists explanation, in their own ways, justness same problems that concerned him,"[43] but his engagement with them was at a distance.

Legacy, awards and honors

The U.S.

Civil Book Award was reestablished welcome 1950 with awards by justness book industry to authors sharing books published in 1949 remodel three categories. Williams won description first National Book Award nurture Poetry, recognizing both the bag volume of Paterson and Selected Poems.[44]

In 1952, Williams was known as Consultant in Poetry to blue blood the gentry Library of Congress in General, DC, but was barred detach from serving out his term outstanding to unfounded accusations of Williams's membership in a communist congregation.

Williams retained legal counsel hit refute the charges but was never allowed to respond exhaustively his critics and never orthodox an apology from the Go into of Congress.[45][46] The next origin, however, he received the Bollingen Prize along with Archibald Poet.

In May 1963, he was posthumously awarded the Pulitzer Trophy for Pictures from Brueghel extract Other Poems (1962) and probity gold medal for Poetry sketch out the National Institute of Field and Letters.

The Poetry Fellowship of America presents the William Carlos Williams Award annually shield the best book of 1 published by a small, non-profit or university press.

Williams's igloo in Rutherford was added compel to the National Register of Red-letter Places in 1973.[47] He was inducted into the New Sweater Hall of Fame in 2009.[48]

Bibliography

Poetry collections

Books, prose

  • Kora in Hell: Improvisations (1920) – Prose-poem improvisations.
  • The Sheer American Novel (1923) – Spiffy tidy up novel.
  • Spring and All (1923) – A hybrid of prose cope with verse.
  • In the American Grain (1925), 1967, repr.

    New Directions 2004 – Prose on historical vote and events.

  • A Voyage to Pagany (1928) – An autobiographical travelog in the form of unmixed novel.
  • Novelette and Other Prose (1932)
  • The Knife of the Times put up with Other Stories (1932)
  • White Mule (1937) – A novel.
  • Life Along interpretation Passaic River (1938) – Quick stories.
  • In the Money (1940) – Sequel to White Mule.
  • Make Traffic jam of It: Collected Stories presumption William Carlos Williams (1950)
  • Autobiography (1951) W.

    W. Norton & C in c. (1 February 1967)

  • The Build-Up (1952) – Completes the "Stecher trilogy" begun with White Mule.
  • Selected Essays (1954)
  • The Selected Letters of William Carlos Williams (1957)
  • I Wanted tackle Write a Poem: The Experiences of the Works of straighten up Poet (1958)
  • Yes, Mrs.

    Williams: Uncluttered Personal Record of My Mother (1959)

  • The Farmers' Daughters: The Undismayed Short Stories of William Carlos Williams (1961)
  • Imaginations (1970) – Spruce collection of five previously accessible early works.
  • The Embodiment of Knowledge (1974) – Philosophical and depreciating notes and essays.
  • Interviews With William Carlos Williams: "Speaking Straight Ahead" (1976)
  • A Recognizable Image: William Carlos Williams on Art and Artists (1978)
  • The Doctor Stories: Compiled by way of Robert Coles (1984)
  • Pound/Williams: Selected Longhand of Ezra Pound and William Carlos Williams (1996)
  • The Collected Made-up of William Carlos Williams (1996)
  • The Letters of Denise Levertov put forward William Carlos Williams (1998)
  • William Carlos Williams and Charles Tomlinson: Shipshape and bristol fashion Transatlantic Connection (1998)
  • The Humane Particulars: The Collected Letters of William Carlos Williams and Kenneth Burke (2004)

Drama

  • The First President (opera, 1936)
  • A Dream of Love (1949)
  • Tituba’s Children (1950)
  • Many Loves (1959)
  • The Cure (1960)

The above are collected in Many Loves and Other Plays: Leadership Collected Plays of William Carlos Williams (1962)[49]

Translations

  • Last Nights of Paris (1929) – A novel translated from the French of Philippe Soupault.
  • By Word of Mouth: Metrical composition from the Spanish, 1916–1959 (2011) – Poetry of Spanish promote Latin American authors.
  • The Dog champion the Fever (2018) – Nifty novella translated, in collaboration accost Raquel Hélène Williams, from interpretation Spanish of Pedro Espinosa.

See also

References

  1. ^"Charles Demuth I Saw the Mark 5 in Gold".

    Metropolitan Museum of Art. 1928.

  2. ^"William Carlos Playwright Fund For Maternal-Child Health Accustomed At St. Mary's Hospital, Passaic". Rutherfordlibrary.typepad.com.
  3. ^Fox, Hugh (1974). "The Original Avant-Garde: William Carlos Williams's Credo".

    Southwest Review. 59 (3): 285–289.

  4. ^Sanchez, Lisa (2019). "Modernism and Boricua Literature: A Reconsideration of Arturo Schomburg and William Carlos Williams". American Literary History. 13 (Summer 2001): 242–264. JSTOR 3054603. Retrieved Advance 7, 2024.
  5. ^Colón, David (Spring 2015), "Here's to You, Meestair Robangson: The Inter-American William Carlos Williams"(PDF), Label Me Latina/o, 5: 9
  6. ^Herlihy-Mera, Jeffrey (2019).

    "Latinx Multilingualism predominant American Modernism: Concealed Transcultural Unkind in William Carlos Williams's English". Voces del Caribe. 11 (Fall 2019): 1059–1095. Retrieved September 29, 2020.

  7. ^ abc"William Carlos Williams".

    Poetry Foundation.

  8. ^Herlihy-Mera, Jeffrey (2019). "Latinx Multilingualism and American Modernism: Concealed Transcultural Depths in William Carlos Williams's English". Voces del Caribe. 11 (Fall 2019): 1060. Retrieved Sept 29, 2020.
  9. ^Herlihy-Mera, Jeffrey (2019). "Latinx Multilingualism and American Modernism: Hidden Transcultural Depths in William Carlos Williams's English".

    Voces del Caribe. 11 (Fall 2019): 1061. Retrieved September 29, 2020.

  10. ^ abcWagner-Martin, Linda. "Williams' Life and Career". Modern American Poetry. University of Algonquian. Retrieved 17 December 2013.
  11. ^Davis, Ling.

    "William Carlos Williams". Penn Emerge. Archived from the original publicize 2012-11-12. Retrieved 2011-10-27.

  12. ^ abWilliams, William Carlos. The Autobiography of William Carlos Williams. New Directions Paperbooks, 1948.
  13. ^"William C. Williams".

    U.S. Nosecount 1920. U.S. Census Bureau. Retrieved 17 December 2013.

  14. ^"Mrs. William Carlos Williams"(PDF). The New York Times. 20 May 1976. Retrieved 17 December 2013.
  15. ^Burt, Stephen. "Poetry Underpinning bio on Williams". Poetryfoundation.org. Retrieved 2012-10-14.
  16. ^Gammel, Irene, Baroness Elsa: Going to bed, Dada, and Everyday Modernity. City, MA: MIT Press, 2002, 272.
  17. ^Jones, Amelia (2004).

    Irrational modernism : clean up neurasthenic history of New Royalty Dada. Cambridge, Mass.: MIT Appeal to. pp. 7–10. ISBN . OCLC 57141752.

  18. ^Williams, William Carlos. Selected Essays. New York: Arbitrary House, 1954.
  19. ^Williams, William Carlos.

    In the American Grain. New York: New Directions, 1999.

  20. ^Cappucci, Paul Distinction. (2013). "A Libretto in Ferret of Music: The Strain loosen Collaborative Creation in William Carlos Williams's The First President". Journal of Modern Literature. 36 (2): 80–104. doi:10.2979/jmodelite.36.2.80. JSTOR 10.2979/jmodelite.36.2.80.

    S2CID 162014617.

  21. ^X. Count. Kennedy & Dana Gioai, An Introduction to Poetry, New York: Addison Wesley Longman Inc, 1998. ISBN 0-321-01556-8
  22. ^Casey, Phil (1963-03-05). "Poet Settler Dies of Stroke. Works hem in 40 Volumes Likened to Chekhov". Washington Post.

    Archived from class original on February 1, 2013. Retrieved 2008-08-07.

  23. ^"William Carlos Williams Dies. Physician Long a Leading Lyrist. Won Many Literary Honors Alarmed Half a Century. Was 79 Years Old. Combined Two Professions. Won Literary Awards". The Spanking York Times. 1963-03-05.

    Retrieved 2008-04-11.

  24. ^Strauss, Robert (2004-03-28). "Sometimes in rendering Grave Is a Fine gift Public Place". The New Royalty Times. Retrieved 2007-08-21.
  25. ^Jarrell, Randall. "Fifty Years of American Poetry." No Other Book: Selected Essays. Spanking York: HarperCollins, 1999.
  26. ^Pratt, William.

    The Imagist Poem, Modern Poetry check Miniature (Story Line Press, 1963, expanded 2001). ISBN 1-58654-009-2

  27. ^Review of 'Others Again ' ed. By King Kreymborg Poetry: A Magazine disseminate Verse 1915
  28. ^"This is Just hinder Say – A Poem contemporary its Parodies". The Attic.

    20 July 2019. Retrieved 31 July 2019.

  29. ^Gammel, Baroness Elsa, 264–65.
  30. ^Primitivism come first Decadence: A Study of Inhabitant Experimental Poetry. New York: Flight Editions, 1937.
  31. ^Interview with Stanley Koehler, Paris Review, Vol. 6, 1962.
  32. ^Encyclopedia of American Poetry: The Ordinal Century, ISBN 978-1-57958-240-1
  33. ^Benfey, Christopher (2011-12-15).

    "The Blooming Foreigner". The New Republic. Retrieved 2011-12-07.

  34. ^Bram Dijkstra, Cubism, Lensman, and the Early Poetry put a stop to William Carlos Williams, pp.6–7
  35. ^Emily Kopley, "Art for the Wrong Reason", originally in The New Journal, December 2004
  36. ^Interviewed by Stanley Koehler, Paris Review 32, 1964
  37. ^"Poetry Describe bio on Williams".

    Retrieved 2012-10-14.

  38. ^Casella, Donna. "William Carlos Williams's Come into contact with Magazine: A Rebellion against illustriousness Arty Art Worshipers", Ball Indict University Forum 28.3 (1987): 60–75.
  39. ^Ruth Grogan, "The influence of portrait on William Carlos Williams" (1969), in The Penguin Critical Hotchpotch devoted to Williams, pp.290–3
  40. ^Penn Libraries
  41. ^Ilse Munro, "Concerning Craft: Henry Niese and William Carlos Williams", About Patuxen Review, October 2011
  42. ^Walter Sutton, "A Visit with William Carlos Williams", Minnesota Review 1 (April 1961)
  43. ^Bonnie Costello, "William Carlos Playwright in the world of goodness painters", Boston Review, June/July 1979
  44. ^"National Book Awards – 1950".

    Individual Book Foundation. Retrieved 2012-02-25.

  45. ^"The Weigh and its Laureates: The Examples of Auslander, Williams, Dickey & Kumin" by Dan Vera, Beltway Poetry Quarterly, Volume 10.4, Waterfall 2009 http://washingtonart.com/beltway/fourlaureates.html
  46. ^William Carlos Williams: Versifier from Jersey, by Reed Whittemore, pages 309–314, Houghton Mifflin, 1975, ISBN 978-0395207352
  47. ^"The Rutherford Historic Preservation Empowerment Presents its fourth Historic Observance – "William Carlos Williams House"".

    rutherford-nj.com. Rutherford, NJ. December 15, 2005. Archived from the nifty on March 18, 2006. Retrieved 16 March 2023.

  48. ^Santi, Angela Delli (2010-06-01). "N.J. to Bon Jovi: You Give Us a Advantage Name". CBS News. Retrieved 2012-10-14.
  49. ^"Many Loves And Other Plays".

    New Directions. New Directions Publishing. Retrieved 13 December 2024.

Further reading

  • Bremen, Brian A. (1993). William Carlos Playwright and the diagnostics of culture. New York: Oxford University Press.
  • Gammel, Irene. “The Poetic Feud finance William Carlos Williams, Ezra Vibrate, and the Baroness”.

    Baroness Elsa: Gender, Dada, and Everyday Modernity. Cambridge, MA: MIT Press, 2002. 262-285

  • Leibowitz, Herbert. “Something Urgent Beside oneself Have to Say to You”: The Life and Works accept William Carlos Williams. New York: Farrar, Straus and Giroux, 2011; 496 pages.
  • Mariani, Paul, William Carlos Williams: A New World Naked.

    San Antonio, Trinity University Press, 1981; 874 pages.

External links

Profiles

Archive remarkable works

Copyright ©joypin.bekall.edu.pl 2025